The Master of the Lodge


by A.M.A. Goncalves

The Worshipful Master is, in any Masonic organization, the guardian of the tradition and of the Masonic law and a reference for the Brothers. He represents the history of the Lodge and embodies the causality of its creation. Lodges are founded all the way through different in-puts: some for reasons associated with the development of the Craft, in a certain territory; others as a platform for Brothers, which are displaced, to meet and continue to practice their art. No Lodge is identical to other. In this sense, the Venerable Maitre, as the French call it, has an important role to perform as the guider, the pilot, the commander-in-chief of the ship. In most of the Obediences this function is rotative and the Master elected to assume this duty serves one term of one single year. This happens, mostly, in Lodges with a somehow extensive history of 40 until 100 years. In younger Lodges, the need to assure a lucid leadership of the project of the Lodge requires a longer mandate as the Master of the Lodge is obliged to assure the survival of the Lodge, in the long-run. He guarantees also that the education of the new members is performed, systematically, and respecting some sort of planning. This necessity depends on the sort of Rite that the Lodge practices, as some rites are more demanding than others. Freemasonry is ritualistic in the sense that encloses a set of ceremonies and dramatizations that are inspired by well-known fables of the Ancient Testament but is not (or should not) be over dependent on them. More than empty ritualisms, Freemasonry prioritizes the cut and polish of the rough stone, expression that means that the human spirit is still gifted to make fresh progresses if attention is dedicated to it. Humans are not blank sheets of paper where all possible meanings can be written but are personalities and individualities formed by genetic content and by the experiences they go through along their lives. The Craft believes that this work is not completed and that within the Lodge and in dialogue between Brothers this process of positive modification can be achieved. It depends, essentiality, in the quality of the leadership and the theoretical preparation of the Worshipful Master. Lodges are organizations of Men, with all their qualities and wrong-doings, but is their connection and symbioses that makes that experience rewarding. When the collective of the Lodge is able to incorporate this design and exigency the Lodge becomes a reference. There are many distractions, nowadays.  Many Lodges turn to be clubs where middle-age men pursue some ritualism before running into a late meal, where they tell bad jokes and drink a lot. This is a perversion of Freemasonry and, absolutely, distorts the organization purposes and traditions. The Master of the Lodge that allows this kind of perversion is responsible, in the middle-term, for the profanization of works, the grime of the aprons and of the white gloves of the Brethren. So some attention ought to be directed to the style of work and how directives are accomplished. Some members seem too susceptible when corrections are address to them by the Master of the Lodge and look at them as personal humiliation. Freemasons practice an art that has almost three centuries and as in any art correction is required if perfection is designated as a goal, a collective goal. The exemplary practitioners of today are the competent leaders of tomorrow. The opposite is also true.

About sunyatsenlodge

We are a Masonic Lodge, working in Macau, China, in the York Rite, a system of masonic degrees existing in the United States and Canada. We are a Masonic Lodge formed exclusively by men and obeying to the 12 Landmarks of Regular Freemasonry, namely the presence in Lodge of the Three Grand Lights of Freemasonry, the Square, the Compasses and the Book of the Sacred Law, and the directing of the works for the Glory of the Great Architect of the Universe.
This entry was posted in Ancient Testament, Freemasonry, Master of the Lodge, Obediences, Royal Art. Bookmark the permalink.

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